Born into a very musical family, Daniel Pini began studying the cello at age 3 and has been performing in orchestras, chamber music groups, and as a featured soloist since before he can remember. While a student at the Sydney Conservatorium, Daniel studied with Georg Pedersen and Patrick Murphy and the won the Corinne d’Haag Mayer scholarship. Pini then moved to Germany to study at the Karl Maria von Weber Musikhochschule in Dresden and at the Hochschuloe für Musik und darstellende Kunst in Stuttgart with Claudio Bohórquez. Daniel is a founding member of Spark piano trio, and has performed with the Pini, Hazelwood & Friends chamber music concert series for 18 years. He has performed with various orchestras, including: the Australian Youth Orchestra, the Sydney Symphony Sinfonia, the Junge Stuttgarter Oper, the Opera Australia Orchestra, the Tasmanian Symphony Orchestra, the Arcarta Kammerorchester, and the Erdinger Kammerorchester. 

Daniel has also participated in masterclasses in Australia, France, Germany, Italy, and Switzerland, with: Wolfgang Boettcher, Umberto Clerici, Conradin Brotbek, David Geringas, and Miklós Pérenyi, and performed in music festivals in Australia, Germany, and Italy. He has performed as a soloist with orchestras in Australia and Germany and has won a place as the 2018 Sydney Symphony Orchestra cello Fellow.

Daniel has previously performed with the Woollahra Philharmonic Orchestra cello section, however this is Daniels first appearance as a soloist with us. Daniel plays on an American cello by Kuttner made in 2001 which he discovered while on tour in France.

Born in 1969 in New York, Dimitri Ashkenazy began playing the piano at the age of six and then switched to the clarinet under the tuition of Giambattista Sisini, with whom he continued studying when he entered the Conservatory of Lucerne in 1989. Since completing his studies, he has gone on to perform widely, both as soloist and chamber musician. On tour, he has appeared at the Royal Festival Hall in London with the Royal Philharmonic Orchestra, at the Hollywood Bowl with the Deutsches Symphonie-Orchester Berlin, at the Sydney Opera House with the Sydney Symphony and SBS Youth Orchestras, at the Casals Festival in Puerto Rico with the Czech Philharmonic Orchestra and in Japan with the Japan Philharmonic, Tokyo Metropolitan Symphony and Mito Chamber Orchestras.

In addition to the major concertos for the clarinet, his repertoire extends to include contemporary works such as Peter Maxwell Davies' Strathclyde Concerto No.4, which he has performed with the composer himself conducting at venues around Europe (and at the composer's 80th Birthday Prom with Ben Gernon conducting), and Krzysztof Penderecki's own transcription of his Viola Concerto with the composer himself conducting both in Poland and on tour in Spain. He also gave the world premiere performances of concertos by Marco Tutino (with the Filarmonici della Scala, Milan) and Filippo del Corno (with the orchestra «I Pomeriggi Musicali»), and of Peter Maxwell Davies' Clarinet Quintet «Hymn to ArtemisLocheia» (with the Brodsky Quartet at the Lucerne Festival). An active chamber musician, he has performed with the Kodály, Endellion, Heath, Brodsky and Faust Quartets and with partners such as Barbara Bonney, Helmut Deutsch, Bernd Glemser, David Golub, Edita Gruberova, Ariane Haering, Antonio Meneses, Cristina Ortiz, Maria João Pires, and of course his brother Vovka, his father Vladimir Ashkenazy, and violist Ada Meinich, with whom he shares his life.

In addition to his concert activity, Dimitri Ashkenazy has made numerous CD (paladino, Orlando, Pan Classics, Decca, DUX, Ondine), radio (Radio Nacional de España, France Musiques, Radio della Svizzera Italiana, DeutschlandRadio) and television recordings, and been invited to give master classes in Australia, Spain, Romania, New Zealand, Singapore, Iceland, Switzerland and the U.S.


Australian-Swiss flautist Bridget Bolliger was born in Sydney, where she distinguished herself early, studying under Jenny Andrews, Jane Rutter and Vernon Hill and performing the Ibert Flute Concerto with the Sydney Symphony Orchestra at the age of 15. She graduated from the Sydney Conservatorium High School and was awarded the ASCM with Merit by New South Wales Conservatorium of Music.

At 18 Ms Bolliger travelled to Switzerland to study with Peter-Lukas Graf at the Basel Music Academy. For four consecutive years she was awarded the coveted Study Grant of the Migros/Ernst-Göhner Stiftung, while also winning the UBS Flute Competition in Zürich, the Kiefer Hablitzel Award in Bern and a prize at the Swiss Woodwind Competition in St Gallen. She attended masterclasses with Alain Marion, Jean-Pierre Rampal and William Bennett, and played Principal Flute with the Gustav Mahler Youth Orchestra under Claudio Abbado and Vaclav Neumann, the Schleswig Holstein Festival Orchestra under Christoph Eschenbach and the
European Community Youth Chamber Orchestra under James Judd.

After graduating with the prestigious Soloistʼs Diploma, Ms Bolliger was appointed Principal Flute with the St Gallen Symphony Orchestra. She also appeared as Guest Principal Flute with the Basel Symphony Orchestra, Zürich Opera Orchestra and Zürich Chamber Orchestra, under conductors such as Nello Santi, Horst Stein, Franz Welser-Möst and Rafael Frühbeck de Burgos.

Ms Bolliger spent three years in Brazil as Principal Flute of the Sinfonica de São Paulo, before returning to Australia where she has played with the Sydney Symphony Orchestra, Melbourne Symphony Orchestra, The Queensland Orchestra, Australian Chamber Orchestra and the Australian Opera and Ballet Orchestra, under conductors including Vladimir Ashkenazy and Patrick Summers.

Bridget Bolliger has appeared as concerto soloist with the St Gallen Symphony Orchestra, Basel Symphony Orchestra, Basel Radio Orchestra, Collegium Musicum Basel, Gruppo Concertistico della Svizzera Italiana (Lugano), Orquesta Sinfónica Simón Bolívar al Teatro Massimo (Palermo), Orquestra Sinfonica do Norte (Porto, Portugal) and the Sinfonica de São Paulo. She has performed the Mozart Flute and Harp Concerto with harpists Elena Zaniboni, Marielle Nordmann and Sarah O’Brien.

As a chamber musician, Ms Bolliger has appeared at the Ainey International Music Festival in Burgundy, the Curitiba International Music Festival in Brazil, the Huntington Estate Music Festival in New South Wales and the Australian Festival of Chamber Music in Queensland. She has collaborated with many distinguished Australian and British musicians, and with members of the Chicago and Montreal Symphony Orchestras.

Ms Bolliger is founder of the New Sydney Wind Quintet, which has become one of Australia’s leading chamber ensembles, releasing two CDs, commissioning a work from Ross Edwards and giving numerous world premieres. Ms Bolliger is also founder and Artistic Director of the annual Sydney Chamber Music Festival.

As a flute teacher and chamber music coach, Bridget Bolliger has tutored and given masterclasses in Switzerland, Brazil and Australia. She has taught at the Jugend Musik Schule (Rorschach) and was assistant to Michel Debost at the Oficina de Música de Curitiba. She has taught at the Sydney Conservatorium of Music, the University of New South Wales and the Sydney Conservatorium High School, and given masterclasses for the New England Conservatorium of Music, the Sydney Flute Society and the Australian Flute Festival.

Bridget Bolliger is a Powell Artist, playing on a handmade, 14-carat gold Verne Q. Powell flute.


Translucent Duo is made up of our own percussionist David Lockeridge and Sax Guru Bernard Lagana. Both musicians enjoy performing enjoyable and entertaining classical music.
Translucent will be bringing high energy performances to Audiences throughout Australia, with both Bernie and Dave having a love of playing larger than life music from both Australian and Overseas composers. WPO welcomes them back for a second performance with us in 2018.